A mind-numbing sound escorts you throughout your journey to a seascape that lies at the end of The Curve. The sound becomes more understandable; it is being made by 40 zebra finches.
Suddenly, under white light, you discover islands of sand inhabited with birds fluttering about and perched on a variety of musical instruments. Along the walls, visuals of guitars create a dim light that illuminate your way to a room that has been transformed into an aviary.
The small birds flutter around as you pass them by. Perching on the many electric guitars that are dotted around the room, they peck at tiny wood sticks, scratching the chords as they go along.
Putting together everyday objects and familiar environments to generate accidental and fascinating soundscapes, Céleste Boursier-Mougenot creates alternative settings that take the audience on an audio and visual journey of its own. A statement released on the Barbican’s official website explains the concept behind the exhibition: “To be fully activated the piece relies on the visitor’s movements around the space, which elicit counter-movement by the birds, resulting in a subtle choreography, accompanied by a throbbing unpredictable soundscape."
Today his exhibitions can be seen in major museums throughout the world, such as: The Israel Museum, Jerusalem and the Museum of Contemporary Art, San Diego. Filming was prohibited at London's exhibition, but we've brought you a video from a previous display in Paris, enjoy.
Nearest Tube: Barbican Underground
Have your say - info@offbeatlondon.co.uk
Not only can birds sing, but they can also play musical instruments. Sound ludicrous? Well, this is what you can witness at Celeste Boursier-Mougenot’s installation at art space ‘The Curve’ in London’s Barbican Centre.
by Isabelle Finateu
published on: 20 March, 2010
Aviary art at the Barbican
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